Osaka, Japan — Kansai region pressed sushi tradition predating Edomae nigiri
Before Edomae nigiri became Japan's dominant sushi form, pressed sushi (oshi-zushi and hako-zushi) represented the country's primary sushi tradition. Oshi-zushi is assembled in wooden box moulds (oshibako): rice pressed under a lid into a compact block with toppings (mackerel/saba, salmon, sea bream, or vegetables) and cut into rectangles. The Osaka/Kansai region never fully converted to nigiri — Osaka's battera (mackerel oshi-zushi covered in thin kombu sheet) remains the most important regional sushi form. Tazuna-zushi (braid sushi) is a Kansai technique where alternating strips of coloured ingredients (thin-sliced fish, egg, cucumber) are arranged in a diagonal braid pattern on sushi rice spread on plastic wrap, then rolled into a cylinder and pressed — when sliced, it shows a kaleidoscope cross-section.
Denser, more vinegar-concentrated rice than nigiri; the marinated mackerel or fish topping is more assertive in flavour; the pressed format creates a different rice texture — firmer and more cohesive
Oshi-zushi requires a denser, slightly cooler rice than nigiri — it must hold its pressed shape without being stodgy; the wooden oshibako must be soaked in water before use to prevent sticking; pressing should be firm and sustained (not a single press) — apply weight and let rest 20 minutes; battera mackerel must be vinegar-marinated (shimesaba) before pressing; oshi-zushi improves with a brief rest after cutting as the rice settles.
Osaka battera benchmark: 2-day shimesaba (vinegar-marinated mackerel), pressed on sushi rice with a thin sheet of kelp (kombu) between fish and rice — the kombu adds mineral character and prevents the fish from sliding; tazuna-zushi is both a flavour expression and a display piece — use 3–5 different coloured ingredients (smoked salmon/pink, egg/yellow, cucumber/green, red pepper, white radish) for maximum visual impact; oshi-zushi keeps far better than nigiri — it can be made several hours ahead and stored under slight pressure.
Using hot rice in oshi-zushi (causes the vinegar to volatilise and results in mushy compressed rice); pressing too briefly (rice springs back when box is removed); failing to wet the wooden box before use (rice sticks to dry wood); cutting oshi-zushi with a dry knife (wet knife essential for clean cuts through compressed rice).
Japanese Cooking: A Simple Art — Shizuo Tsuji