Japanese Kama (釜) and Donabe Earthenware: Rice Cooking Vessels and the Craft of Clay
Japan — Iga (Mie Prefecture) and Banko (Yokkaichi) primary earthenware traditions
The clay cooking vessel — whether the traditional iron kama (釜, rice cauldron), the earthenware donabe (土鍋, clay pot), or the more refined ceramic rice cooker — represents one of Japanese culinary culture's most significant material choices, where the selection of vessel directly affects the flavour and texture of what is cooked within it. Modern electric rice cookers dominate Japanese home cooking, but the revival of kama and donabe cooking for rice represents a considered response to what electric cooking cannot achieve: the specific heat patterns of clay, which heat slowly, retain temperature longer, and create micro-variations in cooking that produce rice with more complex texture — crisped at the bottom (okoge), steamed through the middle, and gently domed at the top. Donabe (literally 'clay pot') encompasses a range of earthenware vessels used for hot pots, steaming, braising, and rice cooking. The finest donabe are produced in Iga (Mie Prefecture), where the coarse volcanic clay has exceptionally high heat resistance and specific thermal mass properties. Iga-yaki donabe (particularly those from Nagatani-en, the premier producer) are distinguished by their ability to be heated from room temperature to high heat without thermal shock fracture and by their 'breathing' quality — the micro-porous clay allows tiny amounts of steam to escape through the walls, creating a self-regulating steam environment particularly suited to rice. Seasoning a new donabe (nurashikata — cooking thin rice porridge to seal the pores) is essential before first use. For rice specifically, the donabe method produces what many Japanese cooks consider superior results to electric cookers: the rice has more defined individual grains, more complex aroma, and the celebrated okoge (scorched rice crust) that forms at the bottom.