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Italian · Rome, Lazio

Cosciotto di Agnello al Forno con Carciofi Romani

Rome's Easter leg of lamb roasted with Romanesco artichokes — the two principal spring ingredients of the Roman table combined in a single pan. The lamb leg is studded with garlic and rosemary, rubbed with olive oil, and placed on a bed of artichoke hearts (cleaned, trimmed, and halved) with white wine and olive oil. As the lamb roasts, its fat drips into the artichokes which caramelise and become infused with the lamb juices. The artichokes at the base become richer and more complex than any separately prepared version.

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ServesFour portions
Total2 hours 30 minutes (including resting)
Sourced0of 9 in BC
Cook
I

The Market List

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1 (approx. 2 kg)
bone-in leg of lamb
trimmed of excess surface fat
Your own market
10–12 slivers
garlic
cut into thin slivers for studding
Your own market
4–5 sprigs
fresh rosemary
needles stripped and cut into slivers for studding; remainder reserved
Your own market
6 (Romanesco)
carciofi di Velletri or cimaroli
outer tough leaves removed, trimmed to the heart, halved, rubbed immediately with lemon
Not yet stocked in British Columbia
2
lemons
halved; one for rubbing artichokes, one squeezed into soaking water
Your own market
100 ml
dry white wine
Frascati or vermentino preferred; plus a splash for the artichoke bed
Not yet stocked in British Columbia
80 ml
extra-virgin olive oil
divided between lamb rub and artichoke bed
Your own market
1 tsp
fine sea salt
for the lamb rub and seasoning
Your own market
1 tsp
black pepper
freshly ground, for the lamb rub
Your own market
II

The Method

1
Prepare the artichokes. Snap back and discard all tough outer leaves until the pale, tender inner cone is exposed. Trim the stem to 3 cm and peel it. Halve each artichoke lengthways and rub every cut surface immediately and thoroughly with lemon. Transfer to a bowl of cold water acidulated with the juice of one lemon. Hold there until required. The artichokes are ready when no darkening appears on any cut surface.
2
Stud the lamb. With the tip of a sharp knife, cut 10–12 deep pockets evenly across the leg — top, underside, and around the bone end. Push one sliver each of garlic and rosemary firmly into each pocket so they sit flush with the surface. Rub the entire leg with olive oil, season generously with salt and black pepper. The lamb is ready when every pocket is sealed and the surface glistens uniformly with oil.
3
Prepare the roasting pan. Drain the artichokes and pat dry. Arrange them cut-side down in a single layer across the base of a large metal or terracotta roasting pan. Drizzle with olive oil and a splash of dry white wine. Do not cover the pan at any stage. The artichokes are correctly placed when every cut face contacts the pan base directly.
4
Roast. Heat the oven to 180 °C. Set the studded leg directly on top of the artichoke bed. Roast uncovered at 20 minutes per 500 g — approximately 1 hour 20 minutes for a 2 kg leg. This is where the dish lives or dies: the pan must remain uncovered throughout so that lamb fat drips continuously onto the artichokes, which caramelise against the pan base while absorbing the dripping from above. At no point introduce liquid over the artichokes. The artichokes are done when they are completely tender, their cut faces a deep bronze-gold, and the lamb surface is coloured to a sustained mahogany — confirmed by pressing the thickest part of the leg, which should feel firm but with a residual give.
5
Rest the lamb. Transfer the leg to a board and tent loosely with foil for 20 minutes. Do not cut before this time has elapsed. The rest is complete when the juices, visible at the foil's edge, have ceased running freely.
6
Deglaze and serve. Set the roasting pan over a medium flame. Pour in the remaining white wine and scrape up all caramelised deposits. Reduce briefly until the pan juices are cohesive and glossy — tasted, they should balance the lamb fat with a clean acidic finish. Carve the lamb. Serve the caramelised artichokes prominently alongside, spoon the pan juices over, and present immediately.
III

Quality Hierarchy

01
Reserve — Carciofi cimaroli di Velletri — the primary bud of the Romanesco plant, harvested at Easter; a bone-in leg from a milk-fed abbacchio of no more than 5 kg live weight, sourced from Lazio pasture; Frascati Superiore DOCG for both the bed and the deglaze.
02
Estate — Carciofi di Velletri from a named Castelli Romani grower; a young spring leg (agnello) from a named Italian or Sardinian producer; a dry Frascati or vermentino of known provenance.
03
Market — Romanesco artichokes from a trusted greengrocer at peak spring season; a well-trimmed bone-in leg from a reputable butcher; any dry, unoaked Italian white wine for the pan.
04
House — Large globe artichokes cleaned as thoroughly as possible to approach the heart — acceptable but inferior, with more choke and tougher fibre; a supermarket bone-in leg; any dry white wine.
IV

Sensory Tests

◇Sight. No darkening on any cut surface of the artichoke after cleaning — oxidation begins within minutes and signals incomplete lemon treatment.
◇Sight. Cut faces of the artichokes are deep bronze-gold against the pan base after roasting — pale faces indicate the pan was covered or the lamb fat did not reach them.
◇Sight. The lamb surface has coloured to a sustained mahogany across its full extent — grey or pale patches indicate insufficient oven heat or an overcrowded pan.
◇Touch. The thickest part of the leg feels firm with a residual give when pressed — yielding softness means undercooked; rigid resistance means overcooked beyond pink.
◇Smell. During roasting, the kitchen fills with a progressively deepening scent of caramelised lamb fat and roasted garlic — a raw or steamed-vegetable smell signals the pan has been inadvertently covered or the oven temperature has dropped.
◇Where it lives or dies. The pan must remain uncovered throughout roasting so that lamb fat drips continuously onto the artichokes, caramelising their cut faces against the pan base; a covered pan steams rather than roasts and the defining textural and flavour transfer is lost entirely.
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VI

What to Pour

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Clase Azul Reposado
Clase Azul Spirits · Jalisco — Tequila
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Agave spirit
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