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Italian · Modena

Crescentina — Tigelle Modenesi

Crescentine (often called tigelle outside Modena, though technically the tigella is the terracotta disc used to cook them, not the bread itself) are small, round, thick flatbreads from the Modenese Apennine hills — cooked between pairs of heated terracotta discs or in a special cast-iron mould that stamps them with a decorative pattern. The dough is leavened with yeast or, in older recipes, natural sourdough, and enriched with lard — producing a bread that is softer and slightly more risen than piadina, with a specific bouncy texture that comes from the combination of leavening and fat. Crescentine are split open horizontally while hot and spread with cunza (a pounded paste of lard, garlic, and rosemary — the traditional Modenese condiment) or filled with salumi and soft cheese. The cunza is specifically Modenese: raw lard pounded with garlic cloves and fresh rosemary needles until it becomes a smooth, aromatic paste that melts instantly into the hot bread. The tigella mould — a hinged cast-iron device with multiple shallow round impressions — is the traditional cooking tool, placed directly over coals or a gas flame. The heat from both sides cooks the crescentina evenly, producing a bread with a lightly crusted exterior and a soft, yielding interior. In the Modenese hills around Zocca, Montese, and Pavullo nel Frignano, crescentine con cunza are served at every family gathering, paired with a board of local salumi and a bottle of Lambrusco. They are the mountain counterpart to the lowland piadina — same philosophy of simple bread as a vehicle for extraordinary cured meats and cheeses, adapted to a different landscape and cooking tradition.

‹Swipe for the next dish›
ServesAbout 16 crescentine
Total2 hours 30 minutes (including 1–1.5 hours rising)
Sourced0of 11 in BC
Cook
I

The Market List

The benchmark for each ingredient, and who stocks it near you. Tap a stockist to go straight to the product.

For the dough
500 g
plain white flour
Not yet stocked in British Columbia
200 ml
water
lukewarm
Your own market
50 ml
whole milk
lukewarm
Your own market
7 g
dried yeast
or 15 g fresh yeast
Your own market
8 g
fine salt
Your own market
60 g
lard
soft, at room temperature; not rendered strutto
Not yet stocked in British Columbia
For the cunza
100 g
fresh lard
soft, white; not rendered strutto
Not yet stocked in British Columbia
2
garlic cloves
peeled
Your own market
10 g
fresh rosemary needles
stripped from the stalk
Not yet stocked in British Columbia
To serve
200 g
prosciutto, mortadella, or mixed local salumi
sliced
Not yet stocked in British Columbia
150 g
squacquerone or stracchino
at room temperature
Not yet stocked in British Columbia
II

The Method

1
Dissolve the yeast in the lukewarm water and milk. Place the flour and salt in a large bowl, add the dissolved yeast and the lard, and work everything together until a cohesive mass forms. Turn onto a lightly floured surface and knead for 8–10 minutes. The dough is ready when it is smooth, slightly tacky, and springs back when pressed with a fingertip.
2
Shape the dough into a ball, return it to the bowl, cover with a cloth, and leave to rise at room temperature for 1 to 1.5 hours. The dough is ready when it has doubled in volume and a finger pressed into the surface leaves an impression that fills back slowly.
3
While the dough rises, make the cunza. Place the garlic cloves and rosemary needles in a mortar and pound to a rough paste. Add the fresh lard and continue pounding and working until the mixture is fully smooth, cohesive, and uniformly aromatic. The finished cunza should be spreadable and release a sharp, resinous scent.
4
Turn the risen dough out and divide it into portions of 40–50 g each. Roll each portion into a ball, then flatten by hand or with a rolling pin into a disc 8–10 cm in diameter and 1–1.5 cm thick. The discs must be uniform in thickness so that both sides cook evenly.
5
This is where the dish lives or dies. Heat the tigella mould — or two heavy cast-iron skillets — over a medium-high flame until thoroughly hot. Place the discs into the impressions, close the mould, and cook for 3–4 minutes on the first side. Flip and cook for a further 3–4 minutes. The crescentina is done when the exterior is evenly golden on both faces, the sides are set and faintly firm to the touch, and the interior — tested by pressing the edge — yields with a soft, springy resistance that is neither raw nor dry.
6
Remove the crescentine from the mould and split them horizontally at once, while they are still steaming. Spread the interior generously with cunza, allowing it to melt into the hot crumb, then fill with salumi and soft cheese as preferred. Serve immediately: the lard must glisten and the cheese must begin to soften against the heat of the bread.
III

Quality Hierarchy

01
Reserve — Dough leavened with mature natural sourdough, as in older Modenese recipes; lard sourced from a local norcino — soft, white, unrendered; cunza made from the same lard, pounded in stone with garlic grown in the Modenese hills; crescentine cooked in a seasoned terracotta tigella over live coals.
02
Estate — Fresh yeast; good-quality soft fresh lard from a reputable butcher; cunza made to order in a mortar; cooked in a cast-iron tigella mould on a gas flame. Squacquerone or stracchino from an Emilian caseificio.
03
Market — Dried yeast; commercially available lard in the dough; cunza approximated from the best available fresh lard; cooked in a heavy panini press or between two cast-iron skillets. Supermarket squacquerone or mild soft cheese.
04
House — Dried yeast; lard replaced with an equal weight of butter in the dough (the texture will be less characteristic); no cunza — dressed simply with prosciutto and fresh ricotta. Cooked in a heavy non-stick pan with a weighted lid pressing down.
IV

Sensory Tests

◇Touch. The kneaded dough springs back when pressed with a fingertip, indicating adequate gluten development.
◇Sight. After rising, the dough has doubled in volume and a pressed finger-mark fills back only slowly.
◇Touch. The cooked crescentina, pressed at its edge, yields with a soft, springy resistance — neither raw and doughy nor stiff and overcooked.
◇Sight. Both faces of the crescentina are evenly golden; no dark or charred patches, no pale floury areas.
◇Smell. The finished cunza releases a sharp, resinous scent of rosemary fused with the salt of the lard — pungent but not acrid.
◇Where it lives or dies. The crescentina lives or dies in the mould: the heat must come evenly from both sides, the thickness must be uniform, and the bread must be pulled at golden — never dark — with a soft, bouncy interior intact.
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VI

What to Pour

The pairing
Bisol Cartizze Dry
Bisol · Prosecco DOC / DOCG
Not yet stocked in British Columbia
Sparkling wine
From British Columbia
Fort Berens Riesling
Fort Berens Estate Winery · Lillooet
Not yet stocked in British Columbia
Wine
Without alcohol
GT's Synergy Organic Kombucha — Gingerade
Not yet stocked in British Columbia
Non-alcoholic

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The whole pairing
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Origin and lineage are part of membership.
Where the dish comes from and how it came to be — on every recipe.
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