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Italian · Rome, Lazio

Crostata di Visciole con Ricotta alla Romana-Ebraica

The most celebrated Roman-Jewish pastry: a short pastry crostata with a filling of fresh ricotta and sugar topped with sour cherry (visciole) jam. In the original ghetto preparation, the ricotta layer was hidden beneath a top crust of pastry to make the dairy-cheese component invisible — observant Jews who kept dairy and meat separate could signal to guests which type of dish it was by whether the ricotta was covered. The pastry has since become one of Rome's beloved desserts, usually served open-face revealing the white-and-red filling.

‹Swipe for the next dish›
ServesOne 24 cm tart, serving six to eight
TotalApproximately 2 hours (including 30 min rest and 35–40 min bake)
Sourced0of 11 in BC
Cook
I

The Market List

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For the short pastry
300 g
tipo 00 flour
Your own market
150 g
unsalted butter
cold, cut into cubes
Your own market
100 g
caster sugar
Your own market
3
egg yolks
Your own market
1
lemon
zest only, finely grated
Your own market
For the ricotta filling
500 g
ricotta di pecora (sheep's milk ricotta)
drained overnight through muslin
Not yet stocked in British Columbia
100 g
caster sugar
Your own market
1
lemon
zest only, finely grated
Your own market
1 tsp
vanilla extract
Your own market
For the topping
300 g
visciole (sour cherry) jam
not sweet commercial cherry jam; the acidity is essential
Not yet stocked in British Columbia
For the finish
2 tbsp
visciole jam
warmed and sieved, for glazing the lattice after baking
Not yet stocked in British Columbia
II

The Method

1
Combine the flour, sugar and lemon zest in a bowl. Rub in the cold butter until the mixture resembles coarse breadcrumbs. Add the egg yolks and bring the dough together with a light hand — work it only until it coheres. Shape into a disc, wrap and rest in the refrigerator for 30 minutes. The dough is ready when it holds its shape without cracking at the edges when pressed.
2
Drain the ricotta thoroughly — excess moisture is the principal cause of a wet, sunken filling. Turn the drained ricotta into a bowl and beat in the sugar, lemon zest and vanilla until smooth and homogeneous. Set aside without cooking.
3
Preheat the oven to 175 °C. Divide the rested pastry: two-thirds for the shell, one-third for the lattice or top crust. Roll the larger portion to 3–4 mm and line a 24 cm tart tin, pressing the pastry into the base and sides without stretching it. Trim the overhang flush with the rim. The shell is ready when it sits flat against the tin with no air pockets beneath.
4
This is where the crostata lives or dies. Spread the ricotta filling evenly over the raw pastry shell in a single, level layer. Spoon the visciole jam over the ricotta and spread it to cover the surface completely and uniformly. The tartness of the jam must remain uncompromised — no substitution with sweet cherry preserves is permissible. The two layers must be distinct: ricotta white beneath, jam deep red above.
5
Roll the reserved pastry and cut into strips for a lattice, or roll to a disc for a full top crust in the historic ghetto style. Lay the lattice or set the top crust over the jam, pressing the edges to seal. Bake at 175 °C for 35–40 minutes. The crostata is done when the pastry is uniformly golden and the ricotta is just set — it should show the faintest resistance at the centre when the tin is gently shaken, with no liquid movement.
6
Remove from the oven and immediately brush the warm pastry lattice with the sieved, heated visciole jam to glaze. Allow the tart to cool completely in the tin. The crostata improves after 12 hours of rest: the jam sets further, its acidity permeates the pastry, and the filling firms to a clean slice. The surface glaze will be glossy and deep red; the pastry will release cleanly from the tin.
III

Quality Hierarchy

01
Reserve — Sheep's milk ricotta from a Roman or Lazio producer, drained 24 hours; visciole jam made from wild or cultivated sour cherries of the Castelli Romani; tipo 00 flour stone-milled; butter from a single-source dairy.
02
Estate — Ricotta di pecora from a reliable Italian cheesemonger, drained overnight; artisan visciole jam from a specialist Italian delicatessen; good-quality tipo 00 flour.
03
Market — Fresh whole-milk ricotta, well drained; imported visciole or amarena jam with demonstrable tartness; standard tipo 00 or plain flour. The jam's acidity is the one quality criterion that cannot be compromised at this rung.
04
House — Supermarket ricotta, pressed dry under a weighted plate; the most tart cherry conserve available — never sweet black cherry jam. The structure will be sound; the Roman-Jewish character is diminished but present.
IV

Sensory Tests

◇Touch. Rested pastry holds a clean edge when pressed and does not spring back — it is ready to line the tin.
◇Sight. After baking, the pastry is uniformly golden at the rim and base; the ricotta shows no liquid pooling at the edges.
◇Touch. A gentle shake of the tin produces no liquid movement at the centre — the ricotta is just set.
◇Sight. After the 12-hour rest, the jam glaze is glossy and the tart releases from the tin in a clean, unbroken slice.
◇Where it lives or dies. The ricotta and visciole layers must be spread in strict sequence, level and distinct, using only genuine sour cherry jam — sweet jam collapses the balance between neutral dairy and sharp fruit on which the entire crostata depends.
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VI

What to Pour

The pairing
Bera Asti Spumante DOCG
Bera · Asti DOCG
Not yet stocked in British Columbia
Sparkling wine
From British Columbia

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Without alcohol

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The whole pairing
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