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Italian · Basilicata

Cutturidd — Basilicatan Lamb Stew

Cutturidd (sometimes written cotturiello) is the defining lamb preparation of the Basilicatan shepherd tradition: pieces of young lamb (or older mutton in the traditional version) braised slowly in a clay pot with wild herbs — oregano, bay, rosemary — and white wine, without tomato (predating the tomato's widespread adoption in southern Italian cooking) or strong spicing. The technique is minimal: the herbs and the quality of the lamb are everything. The result is a pale-golden stew with a clear, herb-scented broth and tender, falling-from-the-bone lamb. It is the antithesis of the strongly spiced preparations of Calabria — Basilicata's cooking is quieter, more reliant on ingredient quality.

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ServesFour portions
Total2 hours 15 minutes
Sourced0of 9 in BC
Cook
I

The Market List

The benchmark for each ingredient, and who stocks it near you. Tap a stockist to go straight to the product.

1.2 kg
young lamb, bone-in pieces (shoulder and/or neck)
from an animal 4–8 months old; cut into large pieces on the bone
Not yet stocked in British Columbia
3 tbsp
olive oil or lard
Not yet stocked in British Columbia
250 ml
dry white wine, plain and neutral
enough to half-submerge the lamb
Not yet stocked in British Columbia
6
garlic cloves
unpeeled, whole
Your own market
3
fresh rosemary sprigs
Not yet stocked in British Columbia
3
bay leaves
fresh or dried
Not yet stocked in British Columbia
1 tsp
dried oregano
Not yet stocked in British Columbia
1 tsp
fine sea salt
added at the end of braising only
Your own market
1 loaf
rough country bread
for serving alongside; the broth is meant to be soaked with it
Your own market
II

The Method

1
Set a clay pot (tiella di terracotta) or heavy casserole over medium-low heat and warm the olive oil or lard. Add the lamb pieces in a single layer and colour them lightly on all sides — just enough for a faint golden tinge, not a deep Maillard crust. The surface of the meat should be pale gold and barely sealed; this is where the dish's character is established.
2
Pour in the dry white wine. It should come to approximately halfway up the lamb pieces — add a little water if the pot is wide. Tuck in the whole unpeeled garlic cloves, the rosemary sprigs, the bay leaves, and the dried oregano. Do not add tomato. This is where the dish lives or dies: no tomato, no assertive seasoning, no strong additions of any kind — the herbs and the wine are the entire flavour architecture, and adding anything more dismantles the preparation entirely.
3
Cover the pot and reduce the heat to the barest possible simmer. Braise for 1 hour 30 minutes to 2 hours. The liquid must never boil — a rolling boil clouds the broth and toughens the lamb. Listen for a very quiet, occasional murmur only.
4
The stew is ready when the lamb yields without resistance to a fork or the back of a spoon and is beginning to pull from the bone. The broth should be pale golden and slightly unctuous — the lamb's gelatin gives it a faint body without opacity.
5
Season with fine sea salt now, and only now. Taste the broth: it should be herb-scented, gently winey, and clean on the palate — restrained rather than bold. Correct the salt only. Serve directly from the clay pot, with rough country bread alongside.
III

Quality Hierarchy

01
Reserve — Milk-fed Basilicatan or Pollino-pasture lamb, 4–6 months, from a named shepherd; clay pot braising over a wood fire; estate-bottled Aglianico Bianco or an unassertive local white from Basilicata.
02
Estate — Young regional lamb, 4–8 months, well-sourced from a butcher who knows the animal's age; a good-quality terra­cotta casserole; a plain, neutral southern Italian dry white such as Fiano or Greco di Tufo used sparingly.
03
Market — Supermarket bone-in lamb shoulder or neck of reliably young provenance; a heavy enamelled cast-iron casserole as substitute for the clay pot; any clean, unoaked dry white wine.
04
House — Whatever bone-in lamb is available; any heavy lidded pot; a dry white wine that is neutral rather than assertive — the dish will be coarser but structurally intact provided the tomato is kept out and the heat kept low.
IV

Sensory Tests

◇Sight. The broth is pale golden and translucent, not cloudy or brown; the lamb surface is faintly coloured, not darkly seared.
◇Smell. The steam rising from the pot is herb-scented — oregano, rosemary, bay — with a background of wine; no sharp or dominant note.
◇Touch. A fork pressed against the lamb meets no resistance; the meat is beginning to pull away from the bone of its own accord.
◇Sight. The surface of the broth shows a faint unctuous sheen from the lamb's gelatin — body without opacity.
◇Where it lives or dies. No tomato, no assertive seasoning, no embellishment of any kind: the herbs and the wine are the entire flavour architecture, and the dish cannot survive any addition that disturbs the pale, quiet broth.
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VI

What to Pour

A plain, neutral, unoaked southern Italian dry white — Fiano di Avellino or Greco di Tufo serve the dish well; the wine must be clean and unassertive so as not to overwhelm the pale, herb-scented broth. An assertive or oaked white is contrary to the dish's character.

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