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Japanese · Tokyo

Negima Nabe Leek and Fish Hotpot Edo Tradition

Negima nabe (葱鮪鍋, 'leek-tuna hotpot') is an Edo-period Tokyo hotpot tradition that originated as working-class fishmonger and riverside market cuisine — a practical use of fatty tuna trimmings (parts considered low-grade by sushi standards but prized for their rich fat content in simmered preparations) combined with negi (long green onions/leeks). The dish exemplifies Edo pragmatism: parts of the fish too oily for raw consumption (toro belly, collar, dark flesh near the spine) that would otherwise be discarded or sold cheaply were combined with the sweetness of deeply simmered negi to create a winter hotpot of extraordinary depth. The broth is typically a strong dashi with soy and sake; the negi are added first and cooked until completely softened to sweetness, then the fatty tuna pieces are added briefly — just enough to set but not fully cooked through, retaining a pink centre. The fat from the tuna disperses into the broth, enriching it further. Premium versions at traditional Tokyo negima nabe restaurants use hon-maguro (Pacific bluefin) trimmings, and the long simmered negi softened to near-dissolving is as essential as the fish. The dish is closely associated with the culture of Tokyo shitamachi (low city) merchant neighbourhoods.

ServesFour portions
Sourced1of 6 in BC
Cook
I

The Market List

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For the broth
1 litre
dashi
strong; kombu-based preferred
Not yet stocked in British Columbia
80 ml
soy sauce
strong Edo-style seasoning
80 ml
sake
Not yet stocked in British Columbia
1 piece
konbu
added from the start for a deeper dashi base
Not yet stocked in British Columbia
600 g
fatty tuna trimmings
collar (kama), belly (toro), or dark meat near the spine; hon-maguro preferred; cut into large pieces
Not yet stocked in British Columbia
600 g
negi (Tokyo negi or Shimonita negi)
long green onions; cut into 5–6 cm lengths
Not yet stocked in British Columbia

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II

The Method

1
Combine the dashi, soy sauce, sake, and konbu in a donabe or heavy-based pot. Bring to a gentle simmer over medium heat. The broth should smell clean, deeply saline, and of the sea — not sharp or raw.
From the canon — The donabe (clay/earthenware pot) is one of Japan's most ancient and most currently celebrated cooking vessels — experiencing a significant renaissance drive… Donabe — Clay Pot Cooking Traditions →
2
Add all the negi pieces to the simmering broth. Cook over a steady, gentle simmer until the negi have softened completely — they should offer no resistance when pressed and begin to approach translucence at the edges, their sharpness converted entirely to sweetness. This takes time and cannot be rushed. Do not add the fish until this stage is complete.
3
Add the fatty tuna pieces to the broth in a single layer and simmer for 2–3 minutes only. This is where the dish lives or dies: the tuna must be removed from the heat while its centre remains faintly pink. The fat will visibly disperse into the broth, enriching and clouding it. Grey flesh throughout is overcooked; the dish is destroyed.
4
Taste the broth immediately before serving. The soy presence should be robust and forward in the Edo manner — not a background note. Adjust with soy if needed. Serve directly from the pot at the table.
III

Quality Hierarchy

01
Reserve — Hon-maguro (Pacific bluefin) kama (collar) — maximum fat, extraordinary flavour at the moment of just-cooking; Shimonita negi from Gunma, prized for its exceptional sweetness and substance.
02
Estate — Hon-maguro belly or dark-meat trimmings from a reputable fishmonger; Tokyo negi in season; a proper hand-drawn kombu-katsuobushi dashi.
03
Market — Southern bluefin or bigeye tuna collar and belly trimmings; standard long negi; packaged liquid dashi of decent quality, fortified with a kombu piece at the start.
04
House — Any available fatty tuna trimmings — the cut must still carry fat; lean loin is not a substitute. Ordinary negi; instant dashi granules at a strong concentration.
IV

Sensory Tests

◇Touch. Negi pieces yield completely under light pressure and show translucence at the edges — no raw firmness remains.
◇Sight. Tuna pieces show set, opaque grey on the exterior while the centre retains a visible pink blush; tuna fat has visibly dispersed, clouding the broth.
◇Smell. The broth carries the clean, merged scent of tuna fat and sweet-cooked allium — no raw fish sharpness.
◇Where it lives or dies. The tuna must be pulled from the heat while its centre remains faintly pink — 2 to 3 minutes of simmering only; grey flesh throughout means the fat has been driven out and the dish is lost.
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VI

What to Pour

The pairing
Born Dream Junmai Daiginjo
Katokichibee Shouten · Fukui
Not yet stocked in British Columbia
Sake
From British Columbia
Fort Berens Riesling
Fort Berens Estate Winery · Lillooet
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Wine
Without alcohol

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The whole pairing
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Where the dish comes from and how it came to be — on every recipe.
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Sourced through Provenance

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