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Italian · Abruzzo

Sagne e Fagioli Abruzzesi

Abruzzo's peasant pasta-and-bean dish — roughly torn irregular pasta sheets (sagne) cooked directly in a braised bean broth with rosemary, garlic, and pork ribs. Unlike pasta e fagioli from other regions, sagne are not short pasta shapes but rough, wide, irregular pieces torn by hand from a sheet — their uneven edges and irregular thickness produce a varied texture in every bowl. The pork ribs are braised first to build the broth foundation before beans and pasta are added.

ServesFour portions
Sourced0of 10 in BC
Cook
I

The Market List

The benchmark for each ingredient, and who stocks it near you. Tap a stockist to go straight to the product.

For the pork rib broth
600 g
pork ribs
cut into individual ribs
Not yet stocked in British Columbia
40 g
lard
Not yet stocked in British Columbia
3
garlic cloves
lightly crushed, skin on
Your own market
2 sprigs
fresh rosemary
Your own market
1.5 litres
water
cold
Your own market
For the beans
300 g
dried borlotti beans
soaked overnight in cold water, drained
Not yet stocked in British Columbia
For the sagne
300 g
semolina flour (semola di grano duro rimacinata)
Not yet stocked in British Columbia
150 ml
water
warm
Your own market
To finish
1 pinch
peperoncino secco
dried Abruzzo chilli, crumbled
Not yet stocked in British Columbia
60 ml
extra-virgin olive oil
Aprutino Pescarese DOP; raw, for pouring at the table
Your own market
II

The Method

1
Melt the lard in a heavy pot over medium-high heat. Add the pork ribs in a single layer and brown on all sides until deeply coloured — the colour of the meat at this stage determines the depth of the finished broth. Remove and set aside.
2
Return the browned ribs to the pot. Add the crushed garlic, rosemary sprigs, and cold water. Bring to a simmer and cook uncovered for 1 hour 30 minutes. The broth is ready when the rib meat yields easily from the bone and the liquid has taken on a rich amber colour.
3
While the broth simmers, make the sagne. Work the semolina flour and warm water together into a firm, cohesive dough. Rest it for 30 minutes under an inverted bowl, then roll the sheet to roughly 3 mm thickness. Do not cut it: tear the sheet by hand into irregular pieces of approximately 5–8 cm — the uneven edges and varied thickness are structural, not cosmetic.
4
In a separate pot, cover the drained soaked borlotti beans with cold water and cook until just tender but still holding their shape — they must be fully cooked at this point. They will receive only 12 minutes more when the pasta is added, which is not enough time to finish an undercooked bean.
5
Lift the ribs from the broth and strip the meat from the bones in rough pieces; discard the bones, garlic skins, and rosemary. Return the meat to the pot. Add the cooked, drained borlotti beans and enough of their cooking liquid to keep the pot generous. Bring the combined broth back to a steady simmer.
6
Add the torn sagne directly into the simmering bean-and-rib broth. This is where the dish lives or dies: the starch released by the rough pasta must thicken the broth progressively over 12 minutes of steady, uncovered simmering — stir regularly to prevent the pasta from settling and catching. At no point should the liquid be thin; if it is, raise the heat and reduce it. The dish is done when the sagne are cooked through and the consistency is thick and stew-like, not a soup. A spoon drawn through the pot should leave a momentary channel.
7
Add the crumbled peperoncino secco, stir once, and remove the pot from the heat. Ladle into warmed bowls and pour raw Aprutino Pescarese DOP olive oil directly over each portion at the table. The oil should pool briefly before being drawn in — that is the correct moment to serve.
III

Quality Hierarchy

01
Reserve — Dried borlotti beans from a named Abruzzese producer, soaked and cooked the day before; pork ribs from a heritage-breed animal; semolina milled from Senatore Cappelli wheat; Aprutino Pescarese DOP oil from a single estate; lard rendered at home from the same pig.
02
Estate — Good-quality dried borlotti beans soaked overnight; free-range pork ribs with adequate fat cover; fine semolina rimacinata from a reputable mill; certified Aprutino Pescarese DOP oil.
03
Market — Supermarket dried borlotti beans soaked overnight; standard pork ribs; commercially available semola rimacinata; a sound Abruzzo or central-Italian extra-virgin olive oil.
04
House — Tinned borlotti beans (add only in the final stage, as they need no further cooking); any pork rib; plain durum-wheat semolina; any extra-virgin olive oil. The rough-torn pasta shape and the stew consistency remain non-negotiable at every rung.
IV

Sensory Tests

◇Sight. The rib broth is amber and lightly reduced after 1 hour 30 minutes of open simmering.
◇Touch. A borlotti bean pressed between thumb and forefinger yields completely without a chalky centre — this confirms they are fully cooked before the pasta is added.
◇Sight. A spoon drawn through the finished pot leaves a momentary channel that closes slowly — the stew-like consistency that defines the dish.
◇Smell. The finished pot carries rosemary and pork fat forward, with the legume earthiness underneath — no raw-flour smell from the sagne remains.
◇Where it lives or dies. The dish lives or dies in the final 12 minutes: the torn sagne must release their starch into the bean-and-rib broth at a steady, uncovered simmer until the result is a thick, spoonable stew — any thinner, and the dish has failed its definition.
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VI

What to Pour

A structured, medium-bodied central-Italian red with enough tannin to cut the pork fat and enough rusticity to match the mountain farmhouse register of the dish — Montepulciano d'Abruzzo is the regional and logical choice.

The whole pairing
Pillar VII
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Where the dish comes from and how it came to be — on every recipe.
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