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Japanese · Japan

Tazukuri Gomame Dried Sardine Soy Sweet New Year

Tazukuri (also called gomame) are tiny dried sardines (katakuchi iwashi—anchovies or juvenile sardines) glazed with a sweet soy sauce syrup and toasted until crispy—one of the most important symbolic dishes in the New Year osechi ryori box. The name 'tazukuri' derives from 'ta-tsukuri' meaning 'rice paddy maker'—the historical use of dried sardines as fertilizer for rice paddies symbolizes a wish for a bountiful rice harvest. 'Gomame' (five-ten-thousand) refers to 50,000 (the number of fertile years wished for). The preparation is disarmingly simple but requires precision: tiny dried sardines (approximately 4-5cm) are briefly dry-toasted in a pan until crispy, then removed. A glaze of soy sauce, mirin, sake, and sugar is heated until thickened and syrupy, the sardines returned and tossed quickly to coat, then spread on a flat surface to cool and crisp. The result should have each sardine coated in a lacquer-like glossy syrup that hardens as it cools, leaving each fish crispy and individually coated rather than clumped in syrup. Sesame seeds are added at the end. The dish represents one of the clearest examples of Japanese preserving technique (dried fish) transformed into a refined seasonal delicacy through minimal additional preparation.

ServesFour portions (osechi service; part of a composed New Year box)
Sourced2of 6 in BC
Cook
I

The Market List

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100 g
dried tiny sardines (katakuchi iwashi)
approximately 4–5 cm; fully dried
Origin · PortugalLekker · Vancouver →
For the glaze
2 tbsp
mirin
Not yet stocked in British Columbia
1 tbsp
sake
Not yet stocked in British Columbia
1 tbsp
sugar
Your own market
1 tsp
sesame seeds
added at finish
Not yet stocked in British Columbia

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II

The Method

1
Ensure the dried sardines carry no residual moisture — spread them on a tray and leave uncovered if any softness is apparent. Place a dry frying pan over medium heat. Add the sardines in a single layer and toast, moving them constantly, until they are uniformly rigid and snap cleanly when bent. Remove immediately from the pan and set aside on a flat surface.
2
In the same pan, combine the soy sauce, mirin, sake, and sugar over medium heat. Bring to a gentle boil, stirring briefly to dissolve the sugar. Reduce the heat and continue cooking without stirring until the syrup thickens visibly. Test by dipping a chopstick into the syrup and lifting it clear: if a thread of 2–3 cm forms before breaking, the glaze has reached approximately 115 °C and is ready. This is where the dish lives or dies — a glaze reduced too little will not lacquer the fish; it will merely moisten and soften them.
3
Return the toasted sardines to the pan all at once. Toss swiftly to coat every fish with the glaze, then transfer the entire contents immediately onto a sheet of parchment paper. Working quickly with chopsticks or a fork, separate each sardine into a single layer before the syrup sets. The window for separation is short — prolonged handling causes clumping that cannot be undone.
4
Scatter sesame seeds over the arranged sardines while the glaze is still tacky. Leave undisturbed at room temperature until fully cooled. The glaze will harden to a lacquer-like finish; each sardine should be individually crisp, glossy, and separate from its neighbours. Taste one: the texture must be brittle, not yielding.
III

Quality Hierarchy

01
Reserve — Wild-caught katakuchi iwashi dried whole by traditional sun-and-wind methods; the fish are uniform in size (4–5 cm), ivory-silver in colour, and carry no off-aroma — only clean marine umami. Glaze built with hon-mirin (true mirin, 14 % alcohol, no glucose syrup added) and naturally brewed soy sauce aged a minimum of one year.
02
Estate — Good-quality Japanese dried small sardines from a specialist fishmonger or Japanese grocer; hon-mirin and a quality Japanese soy sauce. Fish are checked individually and any broken or discoloured specimens removed before toasting.
03
Market — Packaged dried iriko or niboshi available in Asian supermarkets; standard Japanese soy sauce; aji-mirin (seasoned mirin). The result is reliable provided the reduction is correctly judged and the fish are fully dry before toasting.
04
House — Any small, fully dried anchovy or sardine of comparable size; light soy sauce; dry sherry in place of sake; mirin substituted with a reduction of sugar and a little white wine. The symbolic and textural character is preserved if the dry-toast and glaze-reduction steps are observed exactly.
IV

Sensory Tests

◇Touch. A toasted sardine snaps cleanly when bent between the fingers — no flex, no softness at the centre.
◇Sight. A chopstick lifted from the simmering glaze draws a thread of 2–3 cm before it breaks — the syrup is sufficiently reduced.
◇Sight. After cooling, each sardine is individually coated in a glossy, lacquer-like film and lies separate on the parchment — no fish are fused to their neighbours.
◇Smell. As the glaze reduces, a concentrated sweet-soy caramel aroma rises from the pan — sharp or acrid notes indicate the sugar has gone too far and the batch must be discarded.
◇Where it lives or dies. The glaze must reach the thread stage — approximately 115 °C — before the fish are added; a syrup reduced too little produces soggy, lacquerless sardines that cannot be corrected after coating.
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VI

What to Pour

The pairing
Kiku-Masamune Kimoto Junmai
Kiku-Masamune Sake Brewing · Nada
Not yet stocked in British Columbia
Sake
From British Columbia

Nothing from British Columbia holds against this yet.

Without alcohol

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The whole pairing
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