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Italian · Teramo, Abruzzo

Timballo di Maccheroni alla Teramana

The baroque feast dish of the Teramo area: a deep baking dish lined with shortcrust or puff pastry, filled with layers of maccheroni alla chitarra tossed in a ragù of lamb, pork, and chicken, interspersed with tiny meatballs, hard-boiled eggs, pecorino, and fried artichokes, then sealed and baked until the pastry is golden. Sliced at the table, it releases steam that perfumes the room. The timballo is the Abruzzese interpretation of French timbale — introduced during Bourbon rule of the Kingdom of the Two Sicilies.

ServesSix to eight portions
Total3 hours 30 minutes (including ragù)
Sourced1of 19 in BC
Cook
I

The Market List

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For the ragù
250 g
lamb shoulder
cut into small pieces
Your own market
250 g
pork shoulder
cut into small pieces
Your own market
250 g
chicken thighs
bone removed, cut into small pieces
Your own market
400 g
tomatoes
peeled, passed through a mouli
1
white onion
finely chopped
Your own market
100 ml
dry white wine
Not yet stocked in British Columbia
3 tbsp
extra-virgin olive oil
Your own market
For the polpettine
200 g
mixed minced pork and lamb
combined
Your own market
30 g
pecorino
finely grated
Your own market
1
egg
lightly beaten
Your own market
1 pinch
fine salt
Your own market
50 ml
extra-virgin olive oil
for shallow-frying
Your own market
For the pasta
400 g
maccheroni alla chitarra
fresh or dried; boiled until just shy of al dente
Not yet stocked in British Columbia
For the filling layers
3
eggs
hard-boiled, peeled, sliced
Your own market
120 g
pecorino
finely grated
Your own market
4
globe artichokes
trimmed to hearts, sliced, fried in olive oil until golden
Not yet stocked in British Columbia
1 pinch
saffron
dissolved in 3 tbsp warm water
Your own market
For the pastry
500 g
shortcrust or puff pastry
enough to line and seal a deep 26 cm baking dish
Not yet stocked in British Columbia
1
egg
beaten, for egg wash
Your own market

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II

The Method

1
Make the ragù. Warm the olive oil in a heavy casserole over a medium flame. Soften the onion until translucent, then add the lamb, pork, and chicken pieces in a single uncrowded layer. Brown on all sides. Pour in the white wine and allow it to evaporate almost entirely. Add the passed tomatoes, season, and reduce the heat to the lowest setting. Cook, lid slightly ajar, for 2 hours, stirring occasionally, until the sauce is dense, glossy, and has lost all excess liquid — it must hold its shape on a spoon.
2
Make the polpettine. Combine the minced meat, grated pecorino, beaten egg, and salt. Roll between the palms into balls the size of a marble. Shallow-fry in olive oil in a small pan over a medium-high flame, turning once, until evenly browned and firm to the touch. Drain on absorbent paper.
3
Fry the artichoke hearts. Slice the trimmed artichoke hearts and fry in olive oil over a medium-high flame, turning, until each slice is deep golden and crisp at the edges and yields without resistance when pressed. Drain and reserve.
4
Line the baking dish. Preheat the oven to 190 °C. Roll the pastry to a uniform thickness of approximately 4 mm. Use two-thirds of it to line the base and sides of a deep 26 cm baking dish, leaving an overhang. Prick the base, line with baking parchment, fill with baking weights, and blind-bake for 10 minutes until the pastry has set and lost its raw sheen but has not yet coloured. Remove the weights and paper.
5
Cook the chitarra and dress it. Boil the maccheroni alla chitarra in well-salted water until just short of al dente — it will finish cooking inside the timballo. Drain and toss immediately with a generous ladleful of the ragù so the strands are coated but not swimming.
From the canon — The chitarra is a wooden frame strung with steel wires — like a guitar — used to cut fresh egg pasta. Maccheroni alla Chitarra — Guitar Pasta Technique →
6
Assemble the layers — this is the step on which the timballo lives or dies. Spread a thin film of ragù across the blind-baked base. Add a layer of dressed chitarra. Scatter polpettine, slices of hard-boiled egg, fried artichoke pieces, and grated pecorino over the pasta. Drizzle with a spoonful of saffron water. Repeat the sequence — ragù, chitarra, polpettine, egg, artichoke, pecorino, saffron water — until the dish is filled to within 1 cm of the rim, finishing with a pasta layer lightly covered in ragù. Each layer must be distinct and compact; a slack, liquid-heavy assembly will cause the timballo to collapse on slicing.
7
Seal and bake. Lay the reserved pastry over the top, pressing it to the overhanging sides to form a tight seal. Trim the excess and crimp the edge. Brush the entire surface with beaten egg wash. Bake at 190 °C for 35 to 40 minutes, until the pastry lid is a deep, even, burnished gold and the sides have pulled fractionally from the dish.
8
Rest before opening. Remove the timballo from the oven and allow it to rest, undisturbed, for 20 minutes. The layers set and the internal steam redistributes. When the dish is sliced at the table, each portion should hold its structure and release a column of fragrant steam — the sign the rest is complete.
III

Quality Hierarchy

01
Reserve — Lamb from the high Abruzzese pastures (agnello appenninico), home-made chitarra pasta on the wire frame, DOP Pecorino di Farindola, and lamb sweetbreads (umbricelli di pecora) folded into the filling as the original recipes prescribe.
02
Estate — Good local lamb shoulder, fresh chitarra from a reliable pasta-maker, aged pecorino romano, and artichokes sourced in season. Ragù made the day before to allow the fat to be skimmed and the flavour to deepen.
03
Market — Commercially produced maccheroni alla chitarra (dried), mixed minced pork and lamb for the polpettine, block pecorino grated to order, and jarred artichoke hearts drained and patted dry in place of fresh.
04
House — Good-quality shop puff pastry, dried pasta of any square-cut shape, pre-grated aged pecorino, and a single-meat ragù (lamb only). The architecture of the dish — layered, sealed, and rested — remains intact at any rung.
IV

Sensory Tests

◇Sight. The ragù holds its shape on a spoon and shows no free liquid — dense and glossy after 2 hours of slow reduction.
◇Touch. The polpettine are firm and spring back lightly when pressed; they do not flatten under the finger.
◇Sight. The blind-baked pastry base has lost its raw sheen and set firm, but carries no colour — it is ready to receive the filling.
◇Sight. The pastry lid is a deep, even, burnished gold across its entire surface, with sides that have pulled fractionally from the dish.
◇Smell. On cutting at the table, the timballo releases a column of fragrant steam perfumed with lamb, saffron, and pastry — the sign that the 20-minute rest is complete and the layers have set.
◇Where it lives or dies. The layering step decides the dish: a ragù too liquid, pasta fully cooked before assembly, or layers carelessly packed will produce a timballo that is sodden, structureless, and collapses the moment it is cut.
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VI

What to Pour

A structured, medium-bodied central Italian red with sufficient tannin to cut the pastry fat and the richness of the three-meat ragù — Montepulciano d'Abruzzo is the natural companion, its dark fruit and firm backbone calibrated to the lamb and pecorino of this exact tradition.

The whole pairing
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Sourced through Provenance

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